![]() Because with each diminished, 2 notes belong to one whole tone scale and 2 notes belong to the other. They had 3 diminishes - and the DNA is perfect. After the 2 whole tone scales, you know what happened to man and woman - they had babies - and the first thing they have is 3 diminishes (4.). After the chromatic, come 2 whole tone scales. Man (2.) and woman (3.) are the 2 whole tone scales. God created the world and our world is the chromatic scale (1.), and that’s 12, which is like the twelve disciples, 1 and 2 is 3 and that equals the trinity, and then after God created the world, do you know what happened? He looked around and he said - oh! this is beautiful, but I’m still lonely - so you know what he made next, woman and man. The chromatic is God creating the earth, creating the world. It follows a pattern, it starts off very simply, it starts off with the chromatic. Barry explains clearly how chords are related1 and often refers to this metaphor. Below, is a fragment of Barry Harris' workshop from 2003 in The Hague recorded and written out by Howard Rees. To get deeper into the harmonic possibilities, you have to start with the basics. ! Barry Harris believes chords come from scales. Harmony Fragment of Barry Harris' workshop in 2003 Transcription of Barry Harris' "A Time For Love" ! ! MA-Paper Royal Conservatory The Hague February, 2014 Vera Marijt Jazz Piano Research coach: Jarmo Hoogendijkįragment of Barry Harris' workshop in 2003 Barry Harris: Exploring the Diminished How can the transcriptions I made of Barry Harris' workshops and recordings be incorporated in my playing, in order to develop myself in a bebop style? ![]()
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